[T4] Computational Modeling of Musical Expression: Perspectives, Datasets, Analysis and Generation

The aim of this tutorial is to introduce the theory and practice of music performance research to a broad MIR audience. A music performance---an acoustic or audio-visual rendering of it---provides a much richer musical experience than the symbolic or notated representation of the performed music. This richness is arguably an important aspect of our engagement with music and is shaped by the musician's interpretation of the intentions of the music, as conveyed through their performance. The means of expressing these intentions vary from one instrument to another, and can include tempo, timing, dynamics, articulation, timbre, and intonation, among others.

In this tutorial we will give a brief overview of the music performance literature and highlight how expressive dimensions affect the perception and the creation of music. Furthermore we will showcase some state-of-the-art computational methods for both analysis and synthesis of expressive piano performances. We include a hands-on part in which we share easily operated and adaptable code written in Python using Jupyter iPython notebook for demonstrating how to get started with computational analysis and synthesis of musical expression.

This work is partially supported by the European Research Council (ERC) under the European Union's Horizon 2020 Research and Innovation Programme under grant agreement No 670035 (project "Con Espressione").


Slides: https://basismixer.cp.jku.at/ismir2019_tutorial/slides.pdf


Carlos Cancino-Chacón is a postdoctoral researcher at the Austrian Research Institute for Artificial Intelligence (OFAI), Vienna, Austria. His research focuses on studying  expressive music performance, music cognition and music theory with machine learning methods. He pursued a doctoral degree on computational models of expressive performance at the Institute of Computational Perception of the Johannes Kepler University Linz, Austria. He received an M.Sc. degree in Electrical Engineering and Audio Engineering from the Graz University of Technology, a degree in Physics from the National Autonomous University of Mexico and a degree in Piano Performance from the National Conservatory of Music of Mexico.

Katerina Kosta is a senior machine learning researcher at ByteDance AI lab. She pursued her Ph.D. from the Centre for Digital Music at the Computer Science and Electronic Engineering department of Queen Mary University of London, conducting research on computational modelling and quantitative analysis of expressive changes of dynamics in performed music. Research interests during her studies included time series analysis, custom data structures, pattern recognition, audio processing, and machine learning for music synthesis and analysis of perceived emotion in music audio. She received degrees from University of Athens (Mathematics) and Filippos Nakas Conservatory, Athens (Piano), and a Sound and Music Computing Masters from the Music Technology Group at Universitat Pompeu Fabra, Barcelona.

Maarten Grachten is a senior researcher in machine learning for music and sound technology, currently active as an independent machine learning consultant. He holds an M.Sc. in Artificial Intelligence from University of Groningen (The Netherlands, 2001), and a Ph.D. in Computer Science and Digital Communication from Pompeu Fabra University (Spain, 2007). He has worked on computational modeling of musical expression in jazz and classical music since 2001. His work has been funded by European and national research grants at research institutions including the Austrian Research Institute for Artificial Intelligence (OFAI) and Johannes Kepler University (Austria), and has been published in international peer-reviewed conferences and journals.